Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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In a film that has powerful moments of wonderment, humor and joy, Saoirse Ronan plays a London factory worker trying to protect her young son as German bombs fall across the city.
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When the pope dies, backbiting, infighting and ruthless smear campaigning taint the effort to find his successor. Ralph Fiennes stars in a film perfectly timed for this nail-biting election season.
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Anora is easily one of Sean Baker’s funniest works — and also one of the saddest. The film won the Palme d'Or at Cannes, and the director says it's dedicated to sex workers "past, present and future."
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Francis Ford Coppola's epic draws parallels between the U.S. and ancient Rome. Forty-some years in the making, it's got wild sex, startling violence, horse-drawn chariots and even nightclub unicorns.
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Two new films seem to be in dialogue: In The Substance, Demi Moore is a Hollywood star chasing eternal youth. The dark comedy A Different Man centers on a New Yorker with a rare genetic condition.
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Natasha Lyonne, Elizabeth Olsen and Carrie Coon play estranged sisters saying farewell to their terminally ill dad. It's a familiar plot, but writer-director Azazel Jacobs manages to sidesteps cliché.
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Director Tim Burton seems more interested in updating than duplicating his 1988 hit. Beetlejuice Beetlejuice demonstrates affection for the characters and genuine curiosity in how they’re doing now.
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Over the past 50 years or so, Spanish filmmaker Víctor Erice has directed just four features. His latest, about a filmmaker who revisits a past project, has the pull of a well-crafted detective story.
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The latest installment of the "Alien" series is an efficient and reasonably entertaining thriller. But dwelling too obsessively on the past won't guarantee a franchise's future.
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On its surface, Good One is about a teen on a backpacking trip with her dad and his friend. But the film is so sharp and engrossing you might not notice the deeper story taking shape underneath.