Jewly Hight
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The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
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Madi Diaz had much to process leading up to her new album, History of a Feeling: moving home to Nashville from L.A., reestablishing herself as a solo artist and splitting from her partner.
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Lambert, who just put out her seventh album, Wildcard, has closed the gap between serious singer-songwriter and arena-rocking entertainer to become the most riveting country star of her generation.
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On her bustling third album, the former Carolina Chocolate Drops member maps her vision of the Afro-Caribbean diaspora while gently taking Anglocentricism (and capitalism) down a notch.
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At age 67, Rodney Crowell has become the literarily inclined elder statesman of the Americana scene. His new album, Acoustic Classics, is a look back at the songs of his career's many seasons.
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Though each of Front Country's five members has had a vastly different musical education, they all share a no-rules approach to modern bluegrass that honors the craft of pop music.
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For the fiddle player of Nickel Creek fame, asserting herself as a songwriter hasn't always come naturally — but on her third solo release, she leaned into the process.
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The Nashville country pop band doesn't have a single lead singer; they take turns, which opens artistic and emotional possibilities. The band recently released its sixth studio album, Pain Killer.